with Ellen Lauren and J.Ed Araiza
July 28 – August 3
This workshop is currently sold out. You can join the waitlist for this workshop and we will be in touch when/if a spot opens up.
Ellen Lauren and J.Ed Araiza offer a weeklong intensive based upon the physical and creative practices they innovated for over thirty years as founding members of the SITI Company.
Each day begins with the study of Viewpoints and Suzuki Training while the afternoons consist of the study of Composition. The work is based upon the discoveries of the pioneering theater makers of SITI, Tadashi Suzuki and the Suzuki Company of Toga (SCOT), Anne Bogart, Mary Overlie, and Wendell Beavers. The sources of the materials come from investigations and practices in visual art making, music, choreography, somatic movement and vocal practice, and composition theory.
This workshop is valuable to performers and makers from all forms and traditions.
Learn more about each aspect of the training below.
Viewpoints
The Viewpoints technique grew out of the postmodern dance world. It was innovated by choreographer Mary Overlie who broke down the dominant issues performers deal with into six categories, the Six Viewpoints. Since that time, the SITI Company continued to research and explore her original work. The language of the Viewpoints allows the individual artist a way to practice observing the present moment with increasing sensitivity and to respond with greater range. The materials of the Viewpoints also allow a group of actors to function together spontaneously and intuitively and to generate bold, theatrical work quickly. The vocabulary develops flexibility, articulation, and strength of perception for both the individual and ensemble.
Suzuki Method of Actor Training
Developed by internationally acclaimed director Tadashi Suzuki and the Suzuki Company of Toga (SCOT), the Suzuki Method is an integrated body/voice training that seeks to restore the wholeness of the human body to the theatrical context and uncover the actor’s innate expressive abilities. The physical vocabulary is drawn from such diverse influences as ballet, martial arts, and global traditional theater practices. The training seeks to heighten the actor’s emotional and physical power and commitment to each moment on the stage. Attention is on control of the center of gravity, energy, and the breath while maintaining a rich inner concentration.
Composition
Composition is the study of creating theater works quickly in accordance with a set of prompts and requirements. The objective is to work with fundamental principles of collaborative theater making and performance, generating images and theatrical ideas quickly and testing possible approaches to a play or concept. Composition allows each artist to put into practice the skills learned in the morning training, while exploring the contemporary possibilities and historical problems of a given text.
Cost
Workshop with standard double-occupancy room with early bird discount: $900
The early bird discount (10%) expires on April 2.
Workshop with single-occupancy room: $1,500
There is no early bird discount for single-occupancy rooms.
Note: A $400 deposit is required when you register for a double-occupancy room. A $750 deposit is required for a single-occupancy room. The remainder of your balance will be due upon your arrival at Celebration Barn.
Registration
We use Humanitix for you to fill out your application and submit your deposit.
- Head to Humanitix and select your reservation type.
- Fill out the application questions.
- Complete your purchase.
After completing your purchase, a member of our team will be in touch to confirm the status of your application within five to seven business days.
Ellen Lauren
Ellen Lauren was a founding member and co-artistic director, along with Anne Bogart, of the renowned SITI Company, based in New York City. For over thirty years she toured nationally and internationally as a leading performer in SITI’s original devised works, classic plays from the Western canon and collaborations with a number of artists including Bill T. Jones/Arnie Zane Dance Company, Martha Graham Dance Company, visual artist Ann Hamilton, Elizabeth Streb Extreme Action Dance, and New York City Opera among others.
As the head of SITI’s educational programming, she has taught at over three hundred schools, companies, universities, and festivals around the world. She also designed and taught the New York-based studios, SITI’s bi-annual Conservatory, and SITI’s annual Training Intensive at Skidmore College each summer for over thirty years.
Ms. Lauren is an associate artist with the Suzuki Company of Toga (SCOT), led by Tadashi Suzuki based in Toga Mura Village, Japan. Since 1989 she has performed around the world with SCOT in Dionysus (Agave), Oedipus (Jocasta), Waiting for Romeo (Juliet), King Lear (Goneril), and Electra (Clytemnestra).
She regularly teaches on behalf of Tadashi Suzuki and SCOT at the Toga International Summer Training Camp, a program she attended as a student in 1981, and went on to lead beginning in 2006.
She is a founding member of the International Consortium on Suzuki Training and produced “Transformation through Training: 2017 International Symposium on SCOT and the Suzuki Training” at Skidmore College in Saratoga Springs, New York. She produced SCOT’s last US performances of their world-renowned Trojan Women at the symposium.
Ms. Lauren has been an ongoing faculty member at the Juilliard School of Drama at Lincoln Center for over twenty-three years. She directed Iphigenia and Other Daughters (Juilliard Group 43), Trojan Women (Juilliard Group 47), and Oresteia (Group 53). In addition she directed A Midsummer Night’s Dream for the TFT MFA program at UCLA.
Ms. Lauren has been a resident company member at the Alley Theater, Houston Texas, StageWest, and the Milwaukee Repertory Theatre.
She was the first recipient of the Theatre Communications Group’s Fox Fellowship for Distinguished Achievement. She is published in American Theatre Magazine (“In Search of Stillness”).
Scott T. Cumming’s book, Remaking American Theater: Charles Mee, Anne Bogart and the SITI Company (Cambridge Studies in American Theatre and Drama), was published in 2010, and in 2018, Mr. Cummings released a chapter in his book, Actors’ Actors (Palgrave MacMillan) about Ms. Lauren’s career and practice.
J.Ed Araiza
J.Ed Araiza is a professor of Theater at The University of California at Los Angeles (UCLA). Where he lead an interdisciplinary Graduate Acting program and previously served as Chair of the Theater Department.
He was a principal actor and original member of the SITI Company, one of the world’s most important experimental theater ensembles. SITI was founded by Tadashi Suzuki and Anne Bogart. SITI Company. He is a proponent of Suzuki and Viewpoints training and for more than 30 years has performed in productions in major national and international venues. These include the Kennedy Center in Washington, D.C.; the Olympic Arts Festival in Atlanta; the Brooklyn Academy of Music; Actors Theatre of Louisville; Los Angeles Theater Center; Minneapolis’ Walker Art Center; Harvard University’s American Repertory Theater; Scotland’s Edinburgh International Theatre Festival; Germany’s Biennale Bonn festival; Japan’s Toga International Festival; Ireland’s Dublin Theatre Festival; and Festival Le Standard Ideal, MC 93 Bobigny, in Paris.
As a playwright with seven original full-length plays produced, Araiza is a member of The Dramatist Guild. He has directed the plays Voluspa at the National Theatre of Iceland; Savitri, Dancing in the Forest of Death for the META Theatre Festival in Delhi India (nominated for best production and best director). J.Ed directed MEDEAstories, his original adaptation of the Euripides, with an international cast for the SITI Studio Theatre in New York, he also directed a Swedish translation KÄRLEK+SVEK=SANT at TEAK Theater in Helsinki , Finland. He directed sections of Suzan-Lori Parks’ 365 Days/365 Plays at the New York Public Theatre; He has also written Miss Julia, a Bilingual powerplay, based on Strindberg, which has been performed in South America, Europe, LaMAMA ETC in New York, the Los Angeles Theater Center(LATC ) and Chicago among many other venues.
Araiza has been a guest artist and instrucor at many universities including The Julliard School, SUNY Purchase, Cincinnati Conservatory of Music, Columbia University, New York University, National Theater Institute, Harvard University, University of Chicago, Pomona College, Vassar College and the University of Denver. He was a director, artist-in-residence/guest faculty for Four semesters over three years at St. Edward’s University in Austin, Tx and director, artist-in-residence/Coastal Studies Chair at Bowdoin College in Maine. He was also a director, guest lecturer in acting and performance at the University of Windsor in Ontario, Canada. Other international workshops he has led include those at the Singapore International Theatre Festival; South Korea’s Seoul Factory Theatre; the Norwegian Theatre Academy; the Icelandic Academy of the Arts; Festival Iberoamericano in Bogota, Columbia; and several residencies at TEAK the Finnish Theatre Academy, where he also directed his play Medeastories, translated as ”Kärlek + Svek = Sant”
In Fall 2011, before joining UCLA TFT full-time, Araiza served as a guest director in the Department of Theater working with M.F.A. students on a production of The Adding Machine by Elmer Rice.
In Los Angeles, he has performed with the SITI Company in their productions of Trojan Women, The Persians and The Bacchae, all at the Getty Villa. At the LATC he has performed in La Victima at the Loos Angeles Theatre Center directed by Jose Luis Valenzuela . In May 2022 he directed The Central Park Five, opera composed by Anthony Davis with libretto by Richard Wesley at the Long Beach Opera.
